Messing With Mic Patterns – Tuesday Tech Tip

Pattern switch on the front of the Vanguard V4 microphone showing omnidirectional (generally not as useful for VO recording), figure-8 (selected), and cardioid (what you probably use now) options.

Playing with pickup patterns may make things sound better

Over the past few months, I’ve been playing a bit with various microphone pickup patterns to evaluate how they can help achieve better overall sound. Yes, it’s a bit tech-nerdy. And, it’s generally best to add this variable after you have addressed reflection issues in your recording space

One of the challenges for voice actors is that we often record in a smaller physical space which can cause issues in terms of acoustics. Sometimes the result can be a little “flat” sounding, or it can emphasize sibilance or certain frequencies (or both). If your microphone has a “figure 8”/”stereo”/“bi-polar” pattern (three names for the same thing), it’s worth experimenting to see if you end up with better overall sound. It’s usually controlled by a switch on the microphone itself.

By engaging the figure-8 switch, you change the microphone’s directional response so that it picks up from the front (where you are speaking from) and it adds a pickup node on the 180 degree side (the “back” of the mic). (Here’s an article with a quick overview on the common microphone pickup patterns) That means that sound coming in from the other side of the mic is picked up equally to what is coming in from the front.

There are two potential benefits to this approach:

1 – This pickup pattern can “open up” the sound a bit – assuming of course that the area behind the mic is well controlled acoustically.
2 – The figure-8 pattern has a much stronger refusal to sounds coming from the sides of the mic. It’s much more similar to a hypercardioid or even a shotgun mic pickup pattern.

If your recordings suddenly sound “echoey” when you try this, it likely means there are new reflections being captured by the mic. You may have to add some more damping material to your space to address that. If it just sounds a little more like you, it might be a nice improvement to your recordings.

Note – As always, hold off making any changes if you are in the middle of any production projects. This will tend to change the tonality of your recordings slightly. You may find that it does not immediately match what you recorded with the other settings.

A new mic: There’s an app for that…

A physical switch on your microphone controlling pickup patterns will generally give you discrete patterns – in other words it will be either cardioid or figure-8. But microphone companies are always coming up with something, and the designers over at Austrian Audio let you infinitely tweak the pickup pattern on their OC818 microphone via an iPhone app. Now, I’m not saying you need to run out and buy this mic, but it is pretty cool. They have a short video demonstrating this. Check it out here.

Austrian Audio’s OC818 has an option to set pickup pattern remotely through software control. Full video here

As with any change to your input – trust your ears! If it sounds wrong, it likely is.

If you aren’t sure? I’d be happy to give a quick listen. Just make a quick recording of the same script with the same vocal energy. Then upload your audio sample for a review.

Or if you want to schedule a quick one-on-one session, please use my calendar to find a time that works for you.


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4 Responses to “Messing With Mic Patterns – Tuesday Tech Tip

  • Jim, a good friend has this mic. She has described that it has 3 high pass filters, as well a the pickup-pattern-customization. Have you experimented with the HP filters at all? Just wondering before I start tucking pennies away for future purchase….
    Ann

    • Hey there Ann –
      The mic in the photograph is a Vanguard V4. It has three pickup patterns but unless they’ve changed it, only one High Pass Filter (100 Hz rolloff) and a -10 dB pad (which drops the level for louder sound sources). The HPF/Pad is either/or – a three position switch so you can engage one or the other (or bypass both). I have played a bit with the HPF, but usually do not engage it. Nothing wrong with it and it sounded clean – just never seem to use it. Easy enough to do that in software. It also comes with one the most robust shock mounts ever. It can cause some mic arms to sag.
      I had originally gotten it for a big mic comparison night, and ended up hanging onto it. It’s a very nice sounding mic – to my ear there’s a bit of “musicality” to it without being overly hyped and brassy. It uses a CK-12 type capsule, so starts off a little different than the typical K47/67 style mics.

  • Hi Jim, thanks for the reply! Your article referenced the OC818, so I thought that’s the one I’d ask about. Good to know about the Vanguard, though.
    Thanks,
    Ann

    • Ahhhh… of course. Sorry! Have had Vanguard on the brain or something…
      Yes – the OC818 has a 40, 80 and 160 High Pass Filter.
      Like everything else in that mic, it’s a little more interesting. Though 160 Hz seems pretty high for a vocal HPF, it actually uses a first order filter between 160 and 80 Hz, then a second order below that – basically, it’s not as aggressive in the first stage of the 160 Hz HPF, then steepens as it goes lower – which can be useful.
      The more I dig into the details of that OC818, the more impressive it seems. Austrian Audio really approached that design from the ground up. And the results I’ve heard have been quite nice.

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