In choosing software, our needs are niche... Narrators, podcasters, storytellers, and voice actors remain a small subset of those people who record audio at home using their own equipment. The bulk of the product or software development remains geared towards singer/songwriters or home music recording enthusiasts. Our home VO studio requirements remain an outlier. So, how to choose?
When considering how to deliver long form audio, such as audiobook, eLearning work, or even podcast monologues, it becomes apparent...
While new stuff can certainly be cool to consider, those new gear announcements may also make us wonder whether what we have already is enough. It might be more helpful to ask what exactly we need to do in our home voiceover studios.
The PASport VO Dual Audio Interface has arrived! So many VO-specific challenges are solved by this unit. It sounds great and I"m looking forward to digging in under the hood to learn this device.
Looking back on the last 200+ posts and resources, it feels like these messages need a new name for 2025 - How does "VO Weekly Workflow" sound?
A quick look back at 2024 as we prepare for the new year. Keeping momentum intact sometimes means pausing to consider where we've been.
Delivering "quality" audio is key for voiceover success, but when it comes down to it, that's a very vague term. How do we best deliver audio that demonstrates our best work? There aren't a lot of guidelines to follow...
There's strength in simplicity. This is the foundation of how we do our creative work. No matter how complex or ornate it might grow to be, a solid base gives our work a chance to be brilliant.
It's easy to focus on the noise in the next room and not realize how echoey and resonant our recording environment is. Reverb is not noise.
© JustAskJimVO.studio / Jim Edgar
For my VO Services: JimEdgarVoices.com
