VO Studio: Balancing The Need For New Gear
New gear in my voiceover studio? There is seldom a benefit in being an early adopter, but how do we balance the need to stay current?
New gear in my voiceover studio? There is seldom a benefit in being an early adopter, but how do we balance the need to stay current?
Wrap up of the 6-part series on how to choose your voiceover microphone. Matching your budget with the technical requirements for good audio.
Which XLR microphones work well for voiceover? Finishing this 6 part series, I offer a range of specific models for your home VO studio.
“USB Mic” is shorthand for an all-in-one unit where there is no separate preamp and interface. Considering a USB mic for VO? Let's talk mics!
Part 4 in a series: What are you paying for when you purchase a good quality microphone for voiceover? And how much does "good quality" actually cost?
Sensitive microphones faithfully find all the flaws in our space. But what makes mics sound different? In Part 3, we take a closer look at VO mic capsules and what happens inside.
Microphone types - Dynamic v. Ribbon v. Condenser. How they differ and what type is best for voiceover recording. Part 2 in a series.
“What microphone should I get for VO?” A reasonable question, but a slightly tricky one to answer. Let's start with a few core variables
While each step in recording chain is relatively simple, when you string everything together, you end up with a complex process. How do you make that process even more robust?