Good Audio Guidelines: How do I rate my VO sound quality?
Working toward “better” sound from our voiceover setup can be a constantly shifting target. What matters for VO auditions and delivered work?
Working toward “better” sound from our voiceover setup can be a constantly shifting target. What matters for VO auditions and delivered work?
When we begin to produce work from our VO studio, it's important to establish a baseline. Reference tracks provide this useful information.
When it comes to voiceover recording spaces, what exactly is “better”? After we've made things sound "good enough", where can we improve?
While how we sound is part of what we deliver, it's not the ultimate goal. When we chase an audio ideal, we can lose what's important.
Do repetitive steps hold you back from getting work out the door of your voiceover studio? Here are a few things to look for...
A collection of my answers to VO and Voiceover questions. Ranging from basic "how-to's" to detailed VO studio fixes and hacks.
Maintaining creativity and momentum in our VO workflow remains a key challenge. But, how do we get better? Developing a practice of review..
As voiceover creatures of habit, we tend to use what we have been using, preferring to stick to “known knowns” rather than fiddling about with new tools that might not work in our studios. But it could be worth the risk...
Voiceover workflow recording tip: In the VO studio, Stacks, Racks, or Macros all refer to combining Effects. They can be huge timesavers, or cause unexpected issues...